{"id":7975,"date":"2025-04-24T09:40:57","date_gmt":"2025-04-24T01:40:57","guid":{"rendered":"https:\/\/tpa.ntua.edu.tw\/?p=7975"},"modified":"2025-04-29T14:58:50","modified_gmt":"2025-04-29T06:58:50","slug":"%e3%80%8c%e9%ba%a5%e6%80%a1%e7%8f%82%e2%80%a7%e5%b8%83%e9%bb%8e%e5%85%8b-maaike-bleeker%e8%b7%a8%e9%a0%98%e5%9f%9f%e6%a7%8b%e4%bd%9c%e5%b7%a5%e4%bd%9c%e5%9d%8a%e3%80%8d%e7%86%b1%e7%83%88%e5%a0%b1","status":"publish","type":"post","link":"https:\/\/tpa.ntua.edu.tw\/?p=7975","title":{"rendered":"\u300c\u9ea5\u6021\u73c2\u2027\u5e03\u9ece\u514b Maaike Bleeker\u6559\u6388\u8de8\u9818\u57df\u69cb\u4f5c\u5de5\u4f5c\u574a\u300d\u71b1\u70c8\u5831\u540d\u4e2d\uff01"},"content":{"rendered":"\t\t
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\u672c\u6d3b\u52d5\u9080\u8acb\u91cd\u91cf\u7d1a\u570b\u969b\u5b78\u8005\u8377\u862d\u70cf\u7279\u52d2\u652f\u5927\u5b78\u6232\u5287\u3001\u821e\u8e48\u8207\u8868\u6f14\u7814\u7a76\u7cfb\u9ea5\u6021\u73c2\u2027\u5e03\u9ece\u514b Maaike Bleeker \u6559\u6388\u9996\u6b21\u4f86\u81fa\u5e36\u9818\u6700\u65b0\u8de8\u57df\u69cb\u4f5c\u5de5\u4f5c\u574a\u3002<\/p>

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\u516d\u3001\u5831\u540d\u9023\u7d50\uff1ahttps:\/\/forms.gle\/SNopCB7uMj2Xt3WX9<\/a><\/p>

The First workshop on Transdisciplinary Dramaturgy in Taiwan\uff01Presented by Professor Maaike Bleeker
Now open for registration!<\/p>

Workshop Information:
1.Time: May 5th, 2025 Monday, 13:00-16:00
2.Venue: NTUA, Research and Teaching Building, 6th Floor. Graduate Institute of Transdisciplinary Performing Arts Classroom
3.Workshop Fee: NTUA students: free, non-NTUA participant: 300$ NT.
4.Workshop Content:
(1) dramaturgy as a practice
(2) transdisciplinary approach with theatre and dance makers
(3) introduce key elements of doing dramaturgy and their role in creative processes.
(4) examples from artists\u2019 work as well as from my own practice as a dramaturg.
(5) Doing Dramaturgy:<\/em> Thinking through Practice<\/em> as a response to some critical reconsideration of dramaturgical practice
(6) Q & A session
(7) Followed by Book Signing
5.Registration Notes: Accepted participants will be notified by email.
6.registration link: https:\/\/forms.gle\/SNopCB7uMj2Xt3WX9<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u3000\u3000\u9ea5\u6021\u73c2<\/strong>\u2027<\/strong>\u5e03\u9ece\u514b<\/strong> Maaike Bleeker<\/strong>\u6559\u6388\u70ba<\/strong>\u8377\u862d\u70cf\u7279\u52d2\u652f\u5927\u5b78\u6232\u5287\u3001\u821e\u8e48\u8207\u8868\u6f14\u7814\u7a76\u7cfb\u6559\u6388\uff0c2022\u5e74\u8d77\u64d4\u4efb\u5a92\u9ad4\u8207\u6587\u5316\u5b78\u7cfb\u7cfb\u4e3b\u4efb\uff0c\u4ee5\u5275\u4f5c\u9867\u554f\u7684\u8eab\u5206\u8207\u5287\u5834\u5c0e\u6f14\u53ca\u7de8\u821e\u5bb6\u5408\u4f5c\u591a\u6a23\u8a08\u756b\u30022011-16\u5e74\u64d4\u4efb\u570b\u969b\u8868\u6f14\u7814\u7a76\u5b78\u8853\u7814\u8a0e\u6703\uff08Performance Studies International\uff09\u7406\u4e8b\u9577\uff0c\u76ee\u524d\u4e3b\u8981\u7814\u7a76\u65b9\u5411\u662f\u79d1\u6280\u5c0d\u8868\u6f14\u7684\u5f71\u97ff\u3002\u8457\u6709\u300a\u5287\u5834\u7684\u8996\u89ba\u6027\uff1a\u89c0\u770b\u7684\u8ecc\u8de1\u300b\uff08Visuality in the Theatre, 2008\uff09\uff1b\u7de8\u6709\u300a\u73fe\u5834\u7684\u89e3\u5256\uff1a\u8868\u6f14\u8207\u5287\u5834\u7684\u904b\u4f5c\u300b\uff08Anatomy Live: Performance and the Operating Theatre, 2008\uff09\u3001\u300a\u8868\u6f14\u8207\u73fe\u8c61\u5b78\uff1a\u50b3\u7d71\u8207\u8f49\u5316\u300b\uff08Performance and Phenomenology: Traditions and Transformations, 2015\uff09\u3001\u300a\u52d5\u4f5c\u7684\u50b3\u64ad\uff1a\u821e\u8e48\u7684\u79d1\u6280\u5316\u300b\uff08Transmission in Motion: The Technologizing of Dance, 2016\uff09\u7b49\u591a\u90e8\u5b78\u8853\u8457\u4f5c\u3002\uff08\u5275\u4f5c\u9867\u554f\u4f59\u5cb1\u878d\u7ffb\u8b6f\uff09<\/p>

Maaike Bleeker<\/strong>\u00a0is a theatre studies professor, a dramaturg and a translator. Her work combines approaches from the arts and performance studies with insights from philosophy, media theory and cognitive science. Much of her research focuses on processes of embodied and technologically mediated perception and transmission, with a special interest in the relationship between technology, movement and embodied perception and cognition. Current research subjects include social robotics, spectacular astronomy and the intersection of performance studies and space studies, posthuman performativity, corporeal literacy, digital archiving of artistic work, and artistic creation processes.
Bleeker\u2019s monograph\u00a0Visuality in the Theatre<\/em>\u00a0was published by Palgrave (2008). She (co)edited several volumes including\u00a0Anatomy Live. Performance and the Operating Theatre<\/em>\u00a0(2008),\u00a0Performance and Phenomenology: Traditions and Transformations\u00a0<\/em>(Routledge 2015), and\u00a0Transmission in Motion. The Technologizing of Dance<\/em>\u00a0(Routledge 2016). Former president of PSi (2011-2016), she is also a member of the editorial team of MediaMatters (Amsterdam University Press), Thamyris (Rodopi) and Thinking Through Theatre \u00a0(Bloomsbury), and of the editorial board of\u00a0Theatre Survey,<\/em>\u00a0the journal of the American Society for Theatre Research (2017 and 2018)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

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